Helado Negro translates as “black ice cream” and Canta Lechuza means “sing owl.” Rightly so—like the wise ol’ owl, like Davey Crockett and the Jersey Devil, Canta Lechuza is a thing born of woodsy zones.
In November of last year Roberto left Brooklyn for a month-long artist residence in rural Connecticut. From his piny retreat, Roberto awoke each morning to the dead-quiet of the forest. He got up, showered, put on a kettle, fixed a cup of black tea, then sat in the woods, om-ing out into the almighty (and very scenic) Void. Staring straight ahead, he centered himself for the recording hours to come. When the tea was gone he went back inside to get warm and began the workday. It was no stress, no pressure; a great cosmic calm presiding. He was in a benevolent place where nothing moved, where all was quiet and subtle. The result is Canta Lechuza—a majestically pretty electronic pop record; easygoing and beautifully mellow, but each piece danceable, each part a dance party.

